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Delhi air quality in 'poor' category, minimum temp 9 degrees CelsiusHighlights Air quality in Delhi continues to be in poor category with the AQI clocking 320 The minimum temperature in the national capital was 9 degrees Celsius Air quality index (AQI) of Gurugram is 287 of Noida is 304
Air quality in the national capital continued to be in the poor category with the AQI clocking 320 at 9 am on Friday, the Central Pollution Control Board (CPCB) data showed.
The city's 24-hour air quality index (AQI) stood at 361 on Thursday. Neighbouring Faridabad (283), Gurugram (287), Noida (304) and Greater Noida (286) also recorded their air quality in the poor category, while Ghaziabad, with an AQI of 309, was in the very poor category.
An AQI between zero and 50 is considered good, 51 and 100 satisfactory, 101 and 200 moderate, 201 and 300 poor, 301 and 400 very poor, and 401 and 500 severe.
The minimum temperature in the national capital was 9 degrees Celsius, normal for this time of the season, the India Meteorological Department (IMD) said.
While the maximum temperature is likely to settle at 24 degrees Celsius, the relative humidity recorded by the weather department at 8.30 am was 92 per cent.
On Thursday the minimum temperature at Safdarjung weather station was 8.4 degrees Celsius — a notch below normal for this time of the year -- and the maximum temperature was 23.5 degrees Celsius, a notch below the season's normal, according to IMD data.
“Desigual is focusing on reaching a youth audience and India is one of the Asiatic markets with highest potential to connect with new generations. Furthermore, the Indian consumers have a high sense of fashion and appreciate brands’ storytelling. These preferences are aligned with Desigual essence and its differential value proposal” adds Balazs Krizsanyik, Country Manager, Japan in Desigual.
Desigual, as a brand, besides and before dressing bodies, believes in dressing people. Desigual has a very unique characteristic when it comes to design, as it offers with various prints and colors. It also consists tons of basics in the collection where 70 percent of the collection has no print at all and usually is a one-color item.
“This makes me believe that consumption behaviour is going to change for ever. In the New Normal, spends well be more thrifty as consumer focus will be more on saving. Also, with the consumer being at home the entire week, weekends will graduate to a new dimension and will offer immense opportunities to lifestyle retailers,” said Arun Narayan, VP and Chief Retail, Marketing and Merchandising Officer, Tanishq.
Waqt, directed by Yash Chopra, was a watershed moment for the manner in which clothes worn by the heroine influenced public tastes. Throughout the 1960s and ’70s, stars such as Asha Parekh, Vyajanthimala and Mumtaz became style icons due to Athaiya’s creations that they sported on screen.
The pandemic has made us vigilant – of hygiene, sanitization, contact, a body blow to the retail industry worldwide. As the industry limped into revival mode, the demand for contactless retail became lounder, prompting leaders in the realm to start opting for technology.
“Irrespective of the effects of lockdown, athleisure is a category which is evergreen and irreplaceable. People have already realized that taking care of themselves is their own decision and it is very important for them to be physically fit and active for a longer and healthier life. The growing awareness about health and fitness will not take a back seat and it will grow tremendously in the coming years,” states Siddharth Grover, Director, Groversons Paris Beauty.
Guru Dutt spotted her talent at a painting exhibition and that’s how she bagged her first film as full-fledged costume designer, CID, starring Dev Anand and Waheeda Rehman. Soon, filmmakers like B R Chopra and Yash Chopra started frequenting the store, and Athaiya found herself at a fork in the road. She could choose to continue fashion design or move to costume design. The lure of a wider scope and more exciting work made the choice for her, and she became a full-time costume designer. Candid enough to admit that it was a smooth sailing, Athaiya says, “Before I entered the scene, things worked very differently. What one saw in the film industry was that the director and set designer would put their heads together and call in a tailor or go shopping. My stepping in relieved them of this tension. I would listen to the director, make a sketch, meet the actor and finalise the outfit. In that era, the director was king and the actors didn’t present any problem at all.”
The portal hosts each saree for a limited period of 180 days and most of the sarees are sold out in that window. The e-commerce arm is a 3-year-old entity that has given the brand a global reach and is led by third-generation Director, Anirudh Kankatala. His futuristic vision ensured that the brand was equipped to adapt to the new normal faster than the competitors.
Athaiya, who has worked in more than 100 films, has had a significant influence on the look of both post-independence Hindi cinema and its actors and actresses. Rather insistent that costume design not be mixed with fashion, Athaiya reiterates, “It’s not the same as fashion design where the clothes have to be beautiful and glossy. Costume design is the art of creating a character and look. That depends on the film and its story. This is why research is important to create the clothes you think characters should wear! Any costume designer needs to remember that they are not creating clothes for the market, but for the character. Stars come and say, ‘Get my dresses designed by so-and-so’. The 1980s brought in a lot of fashion designers into cinema. But designing for a star and designing for a character – that is a different cup of tea.”